Theology and representation

pp. 1-37

in: Graham Ward, Theology and contemporary critical theory, Berlin, Springer, 2000

Abstract

trembled just past the threshold of her understanding. Smog hung all round the horizon, the sun on the bright beige countryside was painful; she and the Chevy seemed parked at the centre of an odd, religious instant. As if, on some other frequency, out of the eye of some whirlwind rotating too slow for her heated skin even to feel the centrifugal coolness of, words were being spoken.1