Acting artifacts

on the meanings of material culture in Antarctica

Dag Avango

pp. 159-179

in: Roberts Peder, Lize-Marié van der Watt, Adrián Howkins (eds), Antarctica and the humanities, Basingstoke, Palgrave Macmillan, 2016

Abstract

Remains of human activity in Antarctica are generally treated in two different ways—either as unwanted imprints polluting a pristine natural environment, objects alien to the continent that must be removed, or as cultural heritage that needs to be preserved. For this reason, artefacts of potentially great importance for understanding and explaining the history of Antarctica are removed, while sites of arguably lesser universal value are preserved as heritage. The objective of this article is to argue for greater caution when assessing what should be treated as trash or heritage in the Antarctic. Before decisions are made to remove remains of human activities there, greater attention should be paid to the fact that these remains may acquire value in the future. Building on theoretical approaches within the fields of industrial heritage studies, history of technology and archaeology, my point of departure is an understanding that material culture can be connected with a multitude of meanings and values, depending on who is reading it and when. Remains of human activities can be ascribed values if there are actors who want to include them as part of their networks and in a historical context that works in their favor.