Introduction

formal matters

pp. 1-4

in: Bryan Reynolds, Intermedial theater, Basingstoke, Palgrave Macmillan, 2017

Abstract

The becomings- and comings-to-be-other, together, and through intermedial theater, force-multiplied by its indeterminate structural propensities for affective emergences that exceed the artistic designs of the theatric-media processes themselves, stimulate cascades of feedback-loops givings-way to feedforward-flows goings-elsewhere wondrously achieving transversality over the rainbow of compossibility.