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Publication details

Publisher: Palgrave Macmillan

Place: Basingstoke

Year: 2019

Pages: 183-197

Series: Palgrave Studies in Affect Theory and Literary Criticism

ISBN (Hardback): 9783319972671

Full citation:

Jill Marsden, "Senses without names", in: Affect theory and literary critical practice, Basingstoke, Palgrave Macmillan, 2019

Senses without names

affective becomings in William Faulkner and Carson Mccullers

Jill Marsden

pp. 183-197

in: Stephen Ahern (ed), Affect theory and literary critical practice, Basingstoke, Palgrave Macmillan, 2019

Abstract

This chapter argues that Nietzsche's philosophy is of central importance to affect theory, particularly in the field of literary criticism. Marsden explores the idea that literary texts generate new and strange affective forces but that these are frequently commuted to normative models of human experience when analyzed by literary critics. Inflecting Brian Massumi's influential work on affect theory with a Nietzschean critique of value, Marsden offers a reading of William Faulkner's The Sound and the Fury and Carson McCullers' The Member of the Wedding, which remains alert to the power of affective becoming to communicate 'senses without names."

Cited authors

Publication details

Publisher: Palgrave Macmillan

Place: Basingstoke

Year: 2019

Pages: 183-197

Series: Palgrave Studies in Affect Theory and Literary Criticism

ISBN (Hardback): 9783319972671

Full citation:

Jill Marsden, "Senses without names", in: Affect theory and literary critical practice, Basingstoke, Palgrave Macmillan, 2019