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Publication details

Publisher: Springer

Place: Berlin

Year: 1993

Pages: 25-35

Series: Contributions to Phenomenology

Full citation:

Tadashi Ogawa, "The proto-synthesis in the perceptual dimension according to Husserl", in: Japanese and Western phenomenology, Berlin, Springer, 1993

The proto-synthesis in the perceptual dimension according to Husserl

a reconstructive reflection

Tadashi Ogawa

pp. 25-35

in: Philip Blosser, Eiichi Shimomissé, Lester Embree, Hiroshi Kojima (eds), Japanese and Western phenomenology, Berlin, Springer, 1993

Abstract

Unity-in-perception is due to the passive synthesis that is prior to any kind of active and conscious achievement. It is an "ur-unity," an "ur-synthesis." The relation of ur-unity to aspectslphases is structural. The passive synthesis is a kind of fusing of various, manifold phases and aspects. This fusing is the pre-conscious continuity which is the transition. This transition is the fusion of both aspects, i.e., the synthesis of coincidence which goes through aspects. This going-through, or running-through of streaming is the presubjective time-stream.

Cited authors

Publication details

Publisher: Springer

Place: Berlin

Year: 1993

Pages: 25-35

Series: Contributions to Phenomenology

Full citation:

Tadashi Ogawa, "The proto-synthesis in the perceptual dimension according to Husserl", in: Japanese and Western phenomenology, Berlin, Springer, 1993