Un concettualista romantico

Davide Dal Sasso

pp. 97-107

in: Nespolo e la filosofia, Rivista di estetica 58, 2015.

Abstract

A reciprocal symmetry between art and culture, the reductionism and the impoverishment of the artistic practices are all consequences of the establishment of the new conceptualist paradigm in art since the 60s. Nespolo’s artistic production in that period exemplifies this features being thus conceivable as a variant of conceptualism since he adopts its new experimental rules mixing them with the traditional ones of the visual artistic paradigm.