Il pop è amare le cose

Andrea Mecacci

pp. 115-121

in: Nespolo e la filosofia, Rivista di estetica 58, 2015.

Abstract

Starting from three works by Ugo Nespolo dedicated to pop and maintaining Warhol as a reference figure, this essay seeks to outline some crucial points of pop aesthetics: the idea of an artificial and constructible aesthetic and the consequent marginalization of nature; the construction of the pop beauty as phenomenology of iconic expendability; the network of media images as the final result of the dialectic between art and industry.

Cited authors

Nespolo Ugo