Publication details
Publisher: Palgrave Macmillan
Place: Basingstoke
Year: 2014
ISBN (Hardback): 9781349477265
ISBN (eBook): 9781137375230
Full citation:
Timothy Scott Brown, Andrew Lison (eds), The global sixties in sound and vision, Basingstoke, Palgrave Macmillan, 2014
The global sixties in sound and vision
Contents
"Musical & magical counterpoint"
language, sound, and image in Wallace Berman's Aleph, 1956–1966
Chelsea Behle Fralick
101-118
Guitar smashing
Gustav Metzger, the idea of auto-destructive works of art, and its influence on rock music
Wolfgang Kraushaar
119-134
"The revolution is over—and we have won!"
Alfred Hilsberg, West German punk, and the sixties
Jeff Hayton
135-150
The sun and moon have come together
the fourth way, the counterculture, and capitol records
Kevin Fellezs
151-166
"A weapon in our struggle for liberation"
black arts, black power, and the 1969 pan-African cultural festival
Samir Meghelli
167-184
Jukebox modernism
the transatlantic sight and sound of Peter Blake's Got a girl (1960–1961)
Melissa L. Mednicov
211-226