Jean Baudrillard and the posthuman in film and television
19-27
from the non-modern to the posthuman
37-44
the life and death of the cyborg in film and television
57-65
superheroes and posthumanism
66-76
monsters from the lab and molecular ethics in posthumanist film
77-87
the digital swarms of the posthuman image
99-108
posthumanism as digital sentience
120-129
screened posthuman subjectivities
153-162
representations of cybersex in film and television
163-171
posthuman embodiment in film and television
172-181
posthumanism in film, television and other cosmopoietic media
182-191
postmortality in film and television
205-213
a Lacanian analysis of cognitive enhancement cinema
214-224
filmic representation as equipment for living
225-234
the case of Ulrich Seidl's Paradise trilogy
246-255
posthumanism and the technological imaginary in utopian and dystopian film
259-268
gender, utopia and the posthuman in films and tv
269-278
is community with the posthuman possible?
279-288
re-viewing environmental narratives
299-308
animal attractions in Thomas Edison and Douglas Gordon
311-320
haunts of humanism in the planet of the apes films
321-329
humans and machines in film
330-338
difficulties, discontinuities and pluralities of personhood
349-358
religion and posthumanism in film and television
361-370
humanity and the problem of self-aware information
371-379
the anxiety and fantasy of human evolution
380-390
stages in the posthumanist paradigm shift
391-400
