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Publication details
Publisher: Palgrave Macmillan
Place: Basingstoke
Year: 2017
Pages: 87-111
Series: The New Urban Atlantic
ISBN (Hardback): 9783319582078
Full citation:
, "From Granada to Havana", in: Imperialism and the wider atlantic, Basingstoke, Palgrave Macmillan, 2017
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From Granada to Havana
Federico García Lorca, the avant-garde, and orientalism
pp. 87-111
in: Tania Gentic, Francisco LaRubia-Prado (eds), Imperialism and the wider atlantic, Basingstoke, Palgrave Macmillan, 2017Abstract
This essay explores Federico García Lorca's work through the lens of Orientalism. In his idealization of flamenco deep song, gypsy culture, and Granada's Arabic past, Lorca stressed Andalusia's Oriental roots while engaging in the widespread avant-garde practice of turning to "primitive" art for inspiration. Daringly blending the archaic and the modern, he debunked José Ortega y Gasset's denigration of Andalusia as a backward land incompatible with vanguard art. Simultaneously, Lorca's iconoclastic Orientalism provided a framework to understand cultural exchange across the Hispanic Atlantic beyond limiting colonial and postcolonial paradigms.
Cited authors
Publication details
Publisher: Palgrave Macmillan
Place: Basingstoke
Year: 2017
Pages: 87-111
Series: The New Urban Atlantic
ISBN (Hardback): 9783319582078
Full citation:
, "From Granada to Havana", in: Imperialism and the wider atlantic, Basingstoke, Palgrave Macmillan, 2017