Introduction

Ofelia Ferran, Gina Herrmann

1-36

Jorge Semprún and the writing of identity

family origins and fictional construction

Françoise Nicoladzé, Antoine Bargel

39-51

Jorge Semprún and his heteronym Federico Sánchez

Lisa Carter

53-69

The clandestine militant who would be minister

Semprún and cinema

Esteve Riambau, Lisa Carter

71-88

"Don't leave me, pal"

witnessing death in Semprun's Buchenwald narratives

Dorota Glowacka

91-106

Semprun, philosophy, and the texture of literature

Carol L. Bernstein

107-124

In the name of things that have happened

Jorge Semprun and the writing of history

Emmanuel Bouju, Antoine Bargel

125-134

Jorge Semprún and the myth of woman

Ursula Tidd

137-153

A mirror of history

the self and its reflections in Jorge Semprún's oeuvre. veinte años y un día

Durán Durán, Lisa Carter

155-168

The significance of art in Semprun's writing

Tijana Miletic

169-184

Dissidence, citizenry, and witnessing

three screenplays by Jorge Semprún

Txetxu Aguado

187-201

Semprún's Germany—Germany's Semprún

Ulrich Winter

203-217

Jorge Semprún's speeches

self-fashioning and the idea of Australia

Jaime Céspedes

219-232

Semprun and Lukács

for a Marxist reading of le grand voyage

Antoine Bargel

235-250

Jorge Semprún, Brecht, and theater

Jaime Céspedes

251-270

Laudatio on the presentation of the Goethe medal of the Goethe society to Jorge Semprún, Weimar, february 2003

Ruth Klüger

271-273