
Publication details
Publisher: Springer
Place: Berlin
Year: 2019
Series: Communications in Computer and Information Science
ISBN (Hardback): 9783030055936
Full citation:
Polina Eismont, Olga Mitrenina, Asya Pereltsvaig (eds), Language, music and computing, Berlin, Springer, 2019
Language, music and computing
Contents
Acoustic and perceptual-auditory determinants of transmission of speech and music information (in regard to semiotics)
Rodmonga Potapova, Vsevolod Potapov
35-46
Synchronization of musical acoustics and articulatory movements in Russian classical romance
Karina Evgrafova, Vera Evdokimova, Pavel Skrelin, Tatjana Chukaeva
49-57
A comparison between musical and speech rhythms
a case study of standard thai and northern thai
Chawadon Ketkaew, Yanin Sawanakunanon
58-64
Singer's performance style in numbers and dynamic curves
a case study of "spring waters" by Sergei Rachmaninoff
Gregory Martynenko
65-77
Textual and musical invariants for searching and classification of traditional music
Ilya Saitanov
78-87
Sound symbolism of contemporary communication
croatian imitative expressions in computer-mediated discourse
Jana Jurčević
91-110
Phrase breaks in everyday conversations from sociolinguistic perspective
Natalia Bogdanova-Beglarian
122-130
Audible paralinguistic phenomena in everyday spoken conversations
evidence from the ord corpus data
Tatiana Sherstinova
131-145
Distributed software hardware solution for complex network sonification
Gleb G. Rogozinsky, Konstantin Lyzhinkin, Anna Egorova, Dmitry Podolsky
149-160
Automated soundtrack generation for fiction books backed by Lövheim's cube emotional model
Alexander Kalinin, Anastasia Kolmogorova
161-168
Characteristics of music playback and visio-motor interaction at sight-reading by pianists depending on the specifics of a musical piece
Leonid Tereshchenko, Galina Zadneprovskaya, Alexander Latanov
169-182
Linguistic approaches to robotics
from text analysis to the synthesis of behavior
Artemy Kotov, Nikita Arinkin, Ľudmila Zaidelman, Anna Zinina
207-214
When language survived, music resurrected and computer died
to the problem of covert ontologies in language
Anastasia Kolmogorova
225-233