Publication details

Publisher: Springer

Place: Berlin

Year: 2008

Series: Communications in Computer and Information Science

ISBN (Hardback): 9783540794851

Full citation:

Randy Adams, Steve Gibson, Stefan Müller Arisona (eds), Transdisciplinary digital art. sound, vision and the new screen, Berlin, Springer, 2008

Transdisciplinary digital art. sound, vision and the new screen

Contents

Introduction

why transdisciplinary digital art?

Steve Gibson

1-2

The ethics of aesthetics

Don Ritter

5-14

Ethical and activist considerations of the technological artwork

David Cecchetto

15-25

DIY

the militant embrace of technology

Marcin Ramocki

26-32

Tuning in Rorschach maps

Will Pappenheimer

33-45

Body degree zero anatomy of an interactive performance

Alan Dunning, Paul Woodrow

46-59

Artificial, natural, historical

Julian Rohrhuber

60-70

The colour of time (God is a lobster and other forbidden bodies)

Johnny Golding

71-79

Behind the screen

installations from the interactive future

Ted Hiebert

80-97

Transliteracy and new media

Sue Thomas

101-109

Digital archiving and "the new screen"

John Barber

110-119

Digital fiction

from the page to the screen

Käte Pullinger

120-126

The present [future] of electronic literature

Dene Grigar

127-142

Transient passages

the work of Peter Horvath

Celina Jeffery

143-152

Visceral mobile music systems

Atau Tanaka

155-170

Designing a system for supporting the process of making a video sequence

Shigeki Amitani, Ernest Edmonds

171-186

Video game audio prototyping with half-life 2

Leonard J. Paul

187-198

Computer-assisted content editing techniques for live multimedia performance

Stefan Müller Arisona, Pascal Müller, Simon Schubiger-Banz, Matthias Specht

199-212

Computational audiovisual composition using Lua

Wesley Smith, Graham Wakefield

213-228

Interrellation

sound-transformation and remixing in real-time

Hannes Raffaseder, Martin Parker

229-237

Functors for music

the rubato composer system

Guerino Mazzola, Gérard Milmeister, Karim Morsy, Florian Thalmann

238-254

Inventing malleable scores

from paper to screen based scores

Arthur Clay

255-269

Glimmer

creating new connections

Jason Freeman

270-283

Variations on variations

Daniel Biró

284-298

Gestures, interfaces and other secrets of the stage

Eva Sjuve

301-312

Beyond the threshold

the dynamic interface as permeable technology

Carolyn Guertin

313-325

Copuppet

collaborative interaction in virtual puppetry

Paolo Bottoni, Stefano Faralli, Anna Labella, Alessio Malizia, Mario Pierro, Semi Ryu

326-341

Experiments in digital puppetry

video hybrids in Apple's Quartz composer

Ian Grant

342-357

Formalized and non-formalized expression in musical interfaces

Cornelius Poepel

358-373

Interactive spaces

Jeffrey Huang, Muriel Waldvogel

377-391

From electric devices to electronic behaviour

Stijn Ossevoort

392-402

Scentsory design®

scent whisper and fashion fluidics

Jennifer Tillotson

403-417

Advances in expressive animation in the interactive performance of a butoh dance

Author(s)